II LIFE
Early Life
Arnstadt: 1703-1707
Mühlhausen: 1707-1708
Bach’s new employer, Leopold, loved and understood music and could play the violin, viola da gamba, and harpsichord as well as sing bass. The prince held Bach in high regard and stood as godfather for his seventh child. Bach, in turn, named the child Leopold August in his employer’s honor. Bach later said that the years in Köthen were among the happiest of his life. Since the court was Calvinist, rather than Lutheran, Bach was not required to compose church cantatas. He concentrated instead on writing secular cantatas and instrumental music for Leopold’s talented chamber ensemble, producing masterpieces such as the Brandenburg Concertos (named for their dedication to the Margrave of Brandenburg), the works for unaccompanied violin and for unaccompanied cello, and a host of solo concertos and orchestral suites. Bach also began to assemble keyboard collections for the instruction of his young sons and his growing coterie of private students. The collections included the Inventions and Sinfonias, the French and English Suites, and the first volume of The Well-Tempered Clavier.
In the summer of 1720, Bach’s wife died while he was away on a trip with the prince, and the following year the 36-year-old composer married the 20-year-old Anna Magdalena Wilcken, a court singer descended like himself from a long line of musicians. The marriage proved to be a perfect musical match:
III WORKS
Cantatas
Motets
Oratorios and Passions
Magnificat and B-Minor Mass
Organ Works
Clavier Works
Works for Solo Instruments
Works for Instrumental Ensemble
Musical Offering, Canonic Variations, Art of Fugue
Method of Composing
IV THE REVIVAL OF BACH’S MUSIC
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